A popular novel written by William Golding is “Lord of the Flies.” This book marks the debut of the career of the poet, whose mastery of writing will later be honored in 1983 with the Nobel Prize in Literature. After a plane crash, the book itself is about teenage boys trapped on an uninhabited patch of land.
They are attempting to thrive and put order into their lives in the entire text. Given their respectable upbringings, the children quickly plunge into savagery and primitivism, without relation to society. In 1954, this “book about children on the island,” as its readers sometimes refer to it, was published.
Thanks to its worldwide success, the novel was turned into a film twice, by Peter Brooke & Lewis Allen in Britain in 1963 and Harry Hook & Lewis Allen in the US in 1990. The book itself has many similarities to an earlier novel published by Robert Michael Ballantyne in 1857, “The Coral Island.” In the body of juvenile fiction literary heritage, both texts share a central position.
For all 12 chapters of the novel, the chapter summaries of “Lord of the Flies” indicate a slow decline into madness by boys alienated from society. In the chapters of the novel, the author does not reference dates, because it is not clear how long the boys lived on the island. The 12 chapters may apply to twelve calendar months, but they’re all conjecture. The text is dense in monologues that make it easier to read the text. In the pages, chapter by chapter, the secret impulses of the characters, which are among the main symbols in “Lord of the Flies,” unfolds, revealing that humans will respond all too easily to the lack of external restrictions.